Italian auteur cinema. Reflect on the films; La strada (Fellini, 1954), and Rocco and His
Brothers (Visconti, 1960) & comment on the different ways in which Fellini and Visconti can be categorized as ‘auteurs’. What distinguishes each director? How do they relate to and portray Italian society in the decade between mid-1950s and mid-1960s?
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